Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.ĭeep depression, funereal lament, groans of misery and longing for the grave. The key of love, of devotion, of intimate conversation with God. If ghosts could speak, their speech would approximate this key. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. Melancholy womanliness, the spleen and humours brood.įeelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul.
Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key. The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. It cannot laugh, but it can smile it cannot howl, but it can at least grimace its crying.-Consequently only unusual characters and feelings can be brought out in this key. All languishing, longing, sighing of the love-sick soul lies in this key.Ī leering key, degenerating into grief and rapture. Its character is: innocence, simplicity, naïvety, children's talk.ĭeclaration of love and at the same time the lament of unhappy love. UMI Research Press (1983).Ĭompletely pure. "Below we list every commonly used key, major and minor, along with a succinct version of their emotive expression and also include a more verbose explanation so you can really dig deep for what you're looking to get across to your listeners."įrom Christian Schubart's Ideen zu einer Aesthetik der Tonkunst (1806) translated by Rita Steblin in A History of Key Characteristics in the 18th and Early 19th Centuries. There are numerous emotions, which appear in several intensities and can be combined in various ways to form emotional "dyads". Plutchik's model, as Russell's, emanates from a circumplex representation, where emotional words were plotted based on similarity. Notably, outer circles are also formed by blending the inner circle emotions. It arranges emotions in concentric circles where inner circles are more basic and outer circles more complex. Once, twice, 10, 20, 100, ? times.Robert Plutchik offers a three-dimensional model that is a hybrid of both basic-complex categories and dimensional theories. Like the symbol on the bracelet is being repeated until the circular object is finalized. Every song repeats itself as long as you wish for. These small musics can / should (who is the manipulator now?) be played as a friendship bracelet. However, since we are not dealing with heartless content here, the arranger does need to take subjective decisions, to bring the arrangements home. We arrive at objective musical interpretation.
The latter being a system invented a century ago in Hollywood, to apply different colours to the various instruments and registers of an orchestra. Namely one Roland Sound Canvas module for the sounds, Christian Schubart’s seminal book about the aesthetics of the tonal arts – to determine the tonality of each score, and the Spectrotone Instrumental Tone-Colour Chart for the instrumentation.
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Not unlike how Ken Verhoeven only used an existing DIY online generator to create the designs – i stuck to very limited tools while arranging the music. On the accompanying CD, i recorded 10 arrangements of the 10 scores. From here on, the Friendship Paintings become Friendship Songs. He invited me to translate these works to music. In the words of gallerist Stella Lohaus “he constantly interprets curiosities that casually present themselves in the world around him.”įor this book, Ken Verhoeven structured ten works as a dramatic narrative. It is a recurring storyline in Ken Verhoeven’s work. Like exposing the crystals of friendship.
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Where he showed not only the designs, but also the schematics for how to craft each bracelet. Ken Verhoeven upcycled this vulgar object and brought it inside the art gallery. Or … friendship is being manipulated by symbolism. One pulls a string, and … friendship happens. A wristband infused with meaningful (?) symbols. In the year 2018 visual artist Ken Verhoeven (1991, lives and works in Antwerp) presented his Friendship Paintings, a collection best described as “deconstructed designs for friendship bracelets”, at Trampoline gallery in Antwerp.